Nashville Skyline and Hatch Prints. Chapter 11 Book of the Lion

If I wanted to write a country song, for sure I’d have oodles of material for it. Being in the home of Country Music did not inspire me however, for we were too hung up on being safe and feeling well. The trip out with our transatlantic relations, albeit through marriage, however did much to raise the spirits. We learned that our American Superhero worked in the superhero styled AT&T building which has featured in all of the batman films. It stands erect against the Nashville skyline with its two masts and sculptured architecture creating the appearance of the Batman mask. In the dark it glows, effusing a neon aura between its masts drawing you into a mysterious pathway of superhero actions. You half expect the riddler to suddenly beam across the sky and the bat-mobile to hurtle toward him from the landing strip. It is a fascinating building, if only for the hours of endless imaginings on what might occur if you stare at it long enough.

Downtown Nashville was murky and threadbare, reminiscent of days gone by when vinyl ruled and Johnny Cash or Hank Williams wandered drunkenly between the numerous bars and hostelries on the street. There are a few shops selling cowboy boots or hats but not much else for shopping divas. To be honest this is a city where Music dominates the landscape and if its shopping you’re looking for I’d recommend you go somewhere else. However Hatch Prints, over 100years in business, who make the legendary screen printed posters that heralded the appearance of our jakey friends at either the Grande Ole Opry or Legends in the 1950’s and 60’s, remained largely unchanged by time or artists and offered a music lovers paradise.

Cats roam freely within the store, but I had little awareness of this on my first visit. It was dark on the inside, with an inky aroma floating in the air, much of which had settled on the large pane glass windows making it difficult to look in or see out. It was a massive store, barren of interior furnishings aside from several large screen printing machines, bottles of ink and little wooden pigeon holes. These held a host of posters in a variety of sizes and shapes, rolled up and luring you enticingly to unravel the contents. Easy pigeon hole listed the contents alphabetically to ease finding something that might appeal to the music loving buyer.

Some of the most popular prints adorned the brick faced walls but these did not guarantee your purchase and a rotation system meant that when it’s gone it’s not likely to make a reappearance until some uncertain and undisclosed date in the future. Some of the material was completed with a single colour, while others merged a combination of two screen print paints creating a vibrant contrast between the pictures and words. After a leisurely period of unadulterated browsing, I noticed the cats and had to make a swift exit, leaving the Lion to show me a range of purchasing possibilities through the ink-laden windows. I settled on a Patsy Cline, my heroine and Hank Williams, a favourite of the Lion, was chosen in the absence of availability of Johnny Cash.

We spent a memorable evening in the Wild Horse Saloon with the Miss Teenage America entrants, all of whom could line dance in organised and practised fashion. Country Music in the UK was still stuck in the 1950’s it had not yet appealed to a younger generation and most had never heard of the Dixie Chicks, Kelsey Ballerina or Carry Underwood. They don’t know what they were missing and certainly would have been shocked at the level of engagement by young people with this dreaded genre of music if we had tried to introduced it! The Wild Horse Saloon lived up to its reputation, loud music, modern country and even a rendition of Rod Stewart’s Baby Jane by the resident band to the delight of the pageant girls. It was a colourful spectacular with all of the pageant girls more glorious and beautiful than the last, their skinny frames enveloped by broad ribbons proudly announcing the state they were representing. We know a pageant girl, or I should say a few of them now, and wonder if any of them represented their state in their teenage years and we bumped into them, literally.

Eating in Nashville, and probably in the rest of the USA, was a functional rather than culinary delight in 2003. Most of the eateries were chain, fast food establishments selling hamburgers, fries and salad. Over the years this has changed significantly but back when we first visited the food and choices were limited and mostly awful. So it was a great delight to have the opportunity to dine with the superhero and his family in a restaurant they highly favoured, just a little out of town. Our American Superhero provided us with the transport once more, and we were joined by his family travelling in a separate vehicle, at one of their favourite restaurants. Their children were a mixture of cute and handsome. Their two all American boys, with short neat haircuts, matching casual open necked shirts and chinos were polite and mannerly. They were obviously accustomed to eating out, but not meeting many strange people from Scotland, despite their Gran, Grandpa and Aunty living there. Their baby sister, now a divinely beautiful young woman, was just as beautiful and cute back then. She was dressed in a simple but expensive white cotton dress that showed just a hint of matching drawers. I judged this choice had been easily impacted by the fact her mother had been dressing boys for the past 7 years.

The restaurant was busy, although only 6pm families were comfortably seated, surrounding our party seated conspicuously at a central table, ignorant to the fact we had not met before but bound together in this meal by rather unconventional circumstances. The waiters poured us water and handed around the menus. I was salivating as I opened it and pursued the contents containing what was only the upmarket range of fast food hamburgers, fries and salad………..

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